This was the first piece I made using color on metal sealed under resin — and it sold to the first person who saw it.
It’s a small pendant, but a big turning point for me. Mixing bold imagery, color, and traditional silversmithing in a way that feels personal and expressive.
I’ve been wanting to bring more me into my work, and this was the moment I felt it click. I’m so proud of this one — and even more excited for what’s coming next.
Mixing illustration with silversmithing brings together two of my oldest loves — and I can’t wait to keep exploring this technique.
For this piece, I drew the artwork on paper, then set it into a sterling silver pendant and sealed it under resin. It’s a way to bring more of my ideas — my personality, my weird little sketches — into the work.
It feels like something I’ve been building toward for a long time without realizing it. Honest, handmade, and fully mine.
This is just the beginning.
These were one of the first pieces where I really let myself go bold with colour. Hand-painted directly onto gessoed copper using paint pens, then sealed with a durable clear coat.
I wanted to try something new — to bring colour into my metalwork without losing the hands-on, raw feeling that makes it mine. The luna moth felt like the right subject: strange, beautiful, short-lived, and a little eerie in all the best ways.
They’re unapologetically big. They have weight. And they make no effort to blend in. I’m proud of them.