This was the first piece I made using color on metal sealed under resin — and it sold to the first person who saw it.
It’s a small pendant, but a big turning point for me. Mixing bold imagery, color, and traditional silversmithing in a way that feels personal and expressive.
I’ve been wanting to bring more me into my work, and this was the moment I felt it click. I’m so proud of this one — and even more excited for what’s coming next.
Mixing illustration with silversmithing brings together two of my oldest loves — and I can’t wait to keep exploring this technique.
For this piece, I drew the artwork on paper, then set it into a sterling silver pendant and sealed it under resin. It’s a way to bring more of my ideas — my personality, my weird little sketches — into the work.
It feels like something I’ve been building toward for a long time without realizing it. Honest, handmade, and fully mine.
This is just the beginning.
These were one of the first pieces where I really let myself go bold with colour. Hand-painted directly onto gessoed copper using paint pens, then sealed with a durable clear coat.
I wanted to try something new — to bring colour into my metalwork without losing the hands-on, raw feeling that makes it mine. The luna moth felt like the right subject: strange, beautiful, short-lived, and a little eerie in all the best ways.
They’re unapologetically big. They have weight. And they make no effort to blend in. I’m proud of them.
Inspired by the Luna moths you loved as a child, this one-of-a-kind pendant captures their ethereal beauty in sterling silver. Hand-painted with bold oil-based colors and sealed under a thick, glossy layer of high-quality resin, it has lasting depth and shine that mimics the delicate, glowing quality of the moth itself.